Audio & Text: the shoe shine parlor poems et al section II
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the bronx at the end of the mind
each day clutching
on steeple and sill
of factory and office
the soot grows black
fire escapes rust
subways roar rocking foundations
cracks in the pavement
flow wide fast free
and empty
into the gnarled tides
which gnash the cement shores
of this god trusting land
the stench that crawls from the sludge
wanders like a swart thought
through this harbor city
night calls the ghosts of spice
fried fish and incense
to dance out the windows
again the feast
our singing drowns the sea
Something Fishy
Be the first on your block!
the ad proclaims
Wear our new Prodigal Princess shoes!
Clear plastic!
Happily hyper-elevated!
With gold buckles
and a real live goldfish in each heel!
Here she comes—
the first to obey the commanding black majuscules.
She smiles
proud as a successful fisherman.
Like Ahab she limps
bitten by the sharp gold buckles.
She sails across the street
buoyant on the real live goldfish
whose reflection she watches
unaware of the red light
and the speeding white bus
now spouting its horn.
Full speed ahead
she escapes the thrashing king of rolling highways
but her left shoe
broken at the buckle
does not.
The fish
though constantly trying
cannot swim through the plastic
until the heel is crushed.
Then he flies freely through the air
graceful as a sea gull
an albatross
an erne.
He falls to the asphalt
wiggles his tail in dead earnest
and dies.
Lamenting the price of the shoes
cursing the bus
she hobbles on the surviving heel
and sinks into the crowd of shoppers.
The fish rests on his side.
One eye
always open
stares
at the sky.
the moon does not linger
the moon does not linger
in this neighborhood
naked as a silver dollar
she sneaks out from behind a building
or a cloud of smoke
and hurries west
into the suburbs of new jersey
or the corporate farms of quiet kansas
leaving the poor lunatics
madly staggering
or dreaming amid constellations
of streetlights
counting
their fortune
the miracle
jerry knelt outside the church. eric hid behind a pillar on the loggia. as an old woman walked by, jerry yelled: oh god, please send me a pair of sneakers. a slightly used pair of sneakers fell into jerry’s waiting hands. the old woman’s eyes opened wide. she was about to kneel when eric, barefoot, came down the stairs and smiled. the old woman raised her cane. jerry scrambled to his feet and began to run, but the old woman just shook her head and tapped her cane on the sidewalk. and laughed.
the old woman
through the window the world hangs
painted shut long ago
brown
with grease and dust
a lifetime of his smoke
and her cooking with garlic
the great
great grandmother sews
in time to the clock’s ticking
stitches which hold
everything together
the empty birdcage shivers in a draft
his pipe cold upon the ashtray
she draws her shawl
embroidered with canaries
and flowers
children playing in the distance
her fingers
are nimble
still
late one hot august
late one august
so hot and sticky it seemed
september would never come
late one hot august
in the fireplug’s frigid spray
a girl splashed naked and young
late one hot august
while a clutched beercan cooled the hydrant’s roar to a hiss
and rainbows bubbled over cobblestones
late one hot august
a fountain arched silver to the sky
and fell
late one hot august
when numb fingers let the bent can slip
and sprawling the child flung far into the street
late one hot august
a passing coal truck
crushed her head like an eggshell
late one hot august
her unborn life ran out
late one hot august
and rippled with the currents
late one hot august
and sank into the sewers
late one hot august
of brook avenue
the day i threw thoreau off the roof
was three days after a riot, was two days after our mayor toured the property damage, was a day after the radio told me i lived in a slum, was my first day off work in months. the day i threw thoreau off the roof, was a hot day which melted the tar, was another day of the mosquitoes which bred in the backwater of the sewer our city would never fix and bit anything that could still bleed. the day i threw thoreau off the roof, was the angry day i refused to do my homework, was the happy day i watched yellow pages flutter down the airshaft like poisoned pigeons. the day i threw thoreau off the roof, was not up to civil disobedience, was just sick of reading about those damn beans.
they disappear
day and night they disappear
lovers of smiles and moonlight and swollen dolphin bellies
that shoot like stars over the waves
whispering
a birth
a birth
they disappear
some beaten on side streets in the afternoon
while the children are in school studying history
some dragged screaming from their lovers’ arms
before the newborn moon can open its eye
they disappear
are hidden underground where there is no green utopia
are left to slow death in the gray world
are chained naked to dank walls and nibbled by desperate rats
are denied the tomb's comforts
they disappear
although some are allowed to return after many years
with beards and volumes which are read and reviewed
sold underground or catalogued in the library of congress
although some organize rape workshops
some fight for the poor
and some whose constitutions permit it preach
in parks to squirrels and pigeons
they disappear
no
grendel the great fen monster has not eaten them
no
singing fairies have not carried them away
no
hands with knives and guns and government papers
are taking them
hands with blackjacks and chains and cattle prodders
are taking them
hands shaped like fists
are taking them
voices of many languages
condemn them
curses in barrooms and on bronx streets
condemn them
military juntas and corporate conspiracies and terrorist kidnappings
condemn them
hands with knives and guns and government papers
are taking them
hands with blackjacks and chains and cattle prodders
are taking them
hands shaped like fists
are taking them
voices of many languages
condemn them
curses in barrooms and on bronx streets
condemn them
military juntas and corporate conspiracies and terrorist kidnappings
condemn them
condemn them
condemn them
and they disappear
soon
there will be no one left
what i remember most about hughes avenue
where retired italians sweating in beach chairs
watch tides that never come
what i remember most
and midnight's nomads drift through the christmas wind
what i remember
that torrid apartment with walls of ice
what
is moments of twilight with you in my arms
a candle dancing upon a ceiling
there is joy among our shadows
we are lulled
to the flickering
and we
for
get
of bootblacks (for al)
the eyes of bootblacks
do not see where shoes go
after they walk out of sight
the foreheads of bootblacks
recall the hides’ stains
and soles worn beneath the buff
the hair of bootblacks
is every color
their backs droop with the growing strength of age
the arms of bootblacks
snap the rag’s rhythm as hours dance
their feet seldom travel
yet are weary with the day's journey
the mouths of bootblacks
tell no lies
and speak the world’s tales
the ears of bootblacks
hear all within earshot
even when they do not listen
the hands of bootblacks
are calloused where brush joins flesh
their art is to pound
the grin of a thunderbolt
onto a landscape of bunion
and crease
the accordion player
he is gone that gray haired man
with the roman nose who bellowed up airshaft
and alley down street and avenue
songs the old folks knew and danced
and seemed young forever in the immortality of music
he is gone that arm swaying man
who tipped a gray cap who smiled and skipped
fingered and squeezed the air
as if a virgin who bed the wind in a box
as a loud deity
he is gone who panned the gray windows
and ears of this iron city like a god embarked
from the foothills of a golden time shedding wordless ditties
that rustle migrant memory to a younger day
an older way and the children were happy
silver nickel copper pure from the outstretched arms
of the barely poor too heavy with work
too thin with youth to pump music from the grind and drone
the clatter and chatter of the trolley shaken cobblestones
and the crescent white belly through the orchard street suit bulges
earns a mortal living while crowds gather in groves
on hot streets squinting stunned after the gloom
of hallway and bedroom the fruits of labor
ringing and clinging through the applause
rolling round the thick soled shuffle of his feet
or they stare obscure paintings behind windowpanes
crooked in their frames lining the long thoroughfares
and the stagnant airshafts those interior courtyards
four walls of splotched mortar and rough cut brick
the cracked pavement below a square of sky above
and the weatherbeaten clotheslines of the crisscrossed world between
drooping diapers and bedsheets that cry underwear
dripping clean from the sweat of love or they lean
from the worn sills of endless edifices brown or maroon ash or cream
crumbling crockets long rooted in brick grave with the unique venations of life
a husband a wife baby in a bib wrinkled women in grease bellied frocks
yank open the venetian blinds plaid skirted high school girls
fondling lockets and dime store pearls unshirted men tattoos
and cigars crucifixes garlic cloves a few scars
and everywhere the eyes of children
watch notes and chords rise leaves on the updraft of a wild dream
burst from bustling esplanade and shaded yard past corniced facades
where sparrows nest among the lotus and rosette of the festooned modillion
past spires and crenelations and the common copings of tile and stone
past patched tarpaper rooves and pigeons circling endlessly home
he is gone that gay eyed man with the baggy clothes whom no spring
will ever return who shuffled away while the sun swooped low
a breeze blew up the street and the verdure burned with autumn
he is gone into the miasmas of music gone
butch
in darkness before the bronx sunrise when the fighting does end
when the screaming side streets die down to damp silence
when shattered glass embeds itself in dull memory
when sticks no longer swing when the knife's flash
no longer sparkles the guttural and shrieks of rabid snarling men
and hysterical women and illuminates the laughter
and cries of wide eyed children
in darkness when bullets lie cold in graves of flesh and brick
in darkness when time is too quiet he sets it right
and his cry echoes down the night
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
in darkness between the two suns and after fortune takes its daily toll
after winners and losers shuffle home from curbside poker games
that spiralled like a chant from sunset long into the late night
after the midnight stickball champs share their last beer
after the ivory dominoes are polished with a white cloth
and entombed in black leather after the crapshooters' prayers
and dances roll to a death rattle and the clicks
and mutterings bury themselves in catacombs of tenements
in darkness when the gambling is done the clawed cock’s feathers
rise from the corpse in the wind
in darkness when time is too quiet he sets it right
and his cry echoes down the night
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
in darkness between time’s snake eyes dawns the dim light
of forgotten childhood's crystalline afternoons
before the gypsy cab strikes before fresh blood
casts like prophecy over iridescent asphalt and the mind’s shell
cracks upon the squared sidewalks of concrete realityin darkness the urchins' sunny jeers
in darkness the lips refuse to close
in darkness when time is too quiet he sets it right
and his cry echoes down the night
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
dawns the din of young afternoons shouts of red rover
red-light-green-light-1-2-3 skullcap skullcap skullcap
running the hot streets before brainsurgeons aping mortality
drive metal plates like the cadillacs of civilization
into the sprawling alleys of the run down psyche
and the unfortunate soul is rescued from heavenly high rises
which shine amid eternal streetlights
beyond the wheelings and dealings of the stars
in darkness the urchins' sunny jeers
in darkness the lips refuse to close
in darkness when time is too quiet he sets it right
and his cry echoes down the night
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
in darkness in the crevice between two moments
before the cock crows before a trace of twilight
fades the unseen east after the starry pitch
stained to the depths the night and the moans
of distant lovers strangled in sleep
when i stare into my own restless darkness
a silhouette in an unlit window
a burning voice
that certain eye
through the night
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
btchooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
weeds
we are weeds
we are everywhere weeds who stand together and grow in lonely places
where grass and trees will not
we are ancient weeds who have multiplied and sent our children
upon the four winds to the polar wastelands and to the jungles
and deserts of the great solar circle
we are strong weeds sweating at dawn sick weeds choking on pesticides
toiling weeds who grasp the rich earth brittle weeds who wither
beneath dry suns
we are wise weeds who fear bulldozers
we are sad weeds who watch cities rise like tombstones from the graves
of our ancestors
we are many weeds who litter the lots of abandoned landlords who loiter
upon the renovated window boxes of graffitied brownstones
we are penniless weeds deposited along broken riverbanks where the corporate
surplus flows to the ocean's vault
we are swaying weeds who crawl around factories who are contaminated
at industrial parks erased in college campuses and burnt upon
suburban lawns
we are lofty weeds stranded on rooftop islands of soot reckless weeds
whistling between railroad ties as trains pass carefree weeds
in the city’s eroded parks dancing
we are restless weeds who creep through the concrete’s cracks like banshees
from the green underworld who wail the foreclosed land where all share
the earth's poverty who moan in the wind who bask in the sun
who eat the soil who drink the rain
we are weeds
we dream of freedom
the shoe shine parlor poems et al is available as an e-publication from Smashwords:
www.smashwords.com/books/view/625141
the miracle
the day i threw thoreau off the roof
what i remember most about hughes avenue
of bootblacks
the accordion player
butch
weeds
the moon does not linger
something fishy
the old woman
late one hot august
they disappear
the bronx at the end of the mind